This is the second time I’ve completed the A-Z Challenge (Thank you Matt from the QQQE for putting me on to the possibilities), blogging 26 letters of the alphabet this year on swordplay. It’s hard to believe the month passed so quickly. It’s my son’s 11th birthday tomorrow and I’ve finished just in time to plan his birthday party – an ode to Ratzo part IV. It’s a long story and you could check on my Dad-dito blog for more info but suffice to say I’ve got some work to do. Puzzles to make, dangers to create, some script and storyline to ponder for my son and five of his friends.
What was it like to blog the whole month of April on the A-Z? Exhausting and exhilarating. The word discipline comes to mind also. Hard work. A kick in the ass, also. This year I visited more blogs than last year, though it was much harder to do as the month went on. A good start helped. I pre-wrote the first five posts – that helped me to blog-hop the first week. The whole experience has put a smile on my face.
What’s amazing to me is that I also got some work done on my next novel. Sometimes other writing gets in the way. Other times it acts as a motivator. I’ve read a few good books also that I’ll talk about in May – a bit of non-fiction, a bit of fiction.
I am tired. Some of that is spring and a giant ahhh of exhalation.
It’s time to press on with my WIP.
The offer of help to anyone who needs it on swordplay in their writing is still open. I’m no fencing master, but I’ve learned a thing or two about blades and such over the last 30-years and how to put them into words that paint pictures and tell stories.
I know. I know. Zorro, right? But that would be too easy. So I went after Zanbato instead (thanks again to Urban Dictionary for the path). If you have never seen The Seven Samurai, by Akira Kurosawa, then you have never seen the most magnificent Zanbato in film. One of the samurai wields it. This is one of my favorite movies of all time – as is its American version, The Magnificent Seven.
So what is a Zanbato? Urban Dictionary: an especially large type of Japanese sword, the historical use of which is disputed. The sword closely resembles the nodachi or odachi, however it differs from the nodachi by having a ricasso of approximately 12 to 18 inches (460 mm). This lends more to the theory of the sword having a practical use in feudal Japan. The increased length of the blade, along with the extra grip, would give it dual use both as a sword and as a polearm for attacking advancing cavalry.
Horse-slaying sword. That says it all.
And so the A-Z challenge ends with the image of seven samurai looking down into a valley filled with poor peasants being over run by bandits. What will they do? Thanks to all who stopped by for this year’s challenge. En guarde!
A yielding or ceding parry is a parry executed against a flowing attack without separating the blades.
For example. You lunge and your opponent parries. As he counter attacks you remain in contact with his blade as you slide his foible into your forte and parry him in return. This is a move for point work (small-sword, foil, épée) and is a nice contrast to the sound of tick-tacking blades (if you were choreographing a fight…).
What the hell is a xiphoid? Let me tell you. Even my spell check doesn’t recognize it as a word… but it is. I had to dig deep for this one. Because really, there are not a lot of X-words out there and how many could really have anything to do with fencing?
All parries have numbers whether they’re in English, French, Spanish, or Italian. The numbers start low left (1) low right (2), upper right (3), upper left (4), head (5), head (6), middle left (7), middle right (8). Depending on whether you’re fencing or involved in stage combat they numbers may mean slightly different parries and have different positioning. Some parries have cool names too.
If someone strikes at your head the 5 parry, or head protect, is the most natural of parrys. It’s a classic automatic response parry. You raise your hand and your sword creates a line/barrier above your head so you don’t get hit. Now reverse the tip of your blade and your hand positioning (hand goes to the left of your face, palm now facing towards you rather than away from you) and you have a “window” (6 parry) to look out from and a slightly weaker and more awkward parry but an effective one none-the-less. It also sets up a nice back-hand riposte.
Now… take the window (or 6 ) parry and move your hand back to the right, letting the blade “hang” down protecting your right side and back. This is a hanging parry – taken from a cavalry parry (while on horseback). Look for this parry in the fight (link below) from The Count of Monte Cristo. The fight choreographer is the famous William Hobbs. It’s got elements of realism and entertainment – who could ask for more? The movie is pretty good too. Spoiler alert – this is from the ending so if you haven’t seen the movie or don’t know the story… you’ve been warned.