I finished Ask the Passengers a few days ago by A.S.King. I’ve been letting it percolate and settle. Her novels do that to me. I won’t tell you what the ending is but I will tell you it is perfect. I didn’t expect it, the way A.S.King wrote that ending – having her cake and eating it too. If you read the book, and I highly recommend you do as it’s wonderful, I’d like to know what you think about the ending.
But that’s not the only thing, however veiled I’m being about gobsmacking perfect endings, that I learned from her latest book. Actually all three of the books I’ve read of hers, Everybody Sees the Ants, and Please Ignore Vera Dietz, included, demonstrate a great narrative writer’s technique.
I’ll get back to it. Hold on.
I met a Flannery O’Connor award winning author early in my writing career (long aside in progress so watch out for piratical brussel sprouts) named Rita Ciresi. I met her at a writer’s conference in Connecticut – but I don’t remember the name of it as it was a good 20 years ago. In one of her workshops she said, “One of the things I like to do the most is put my characters in a room together and let them eat. All kinds of things happen.” Let them break bread not heads. Now I know you’re thinking, he couldn’t remember the name of the conference but he could remember what Ciresi said. Hmmm. Well, deal with it.
Now it’s back to Ask The Passengers. A.S.King uses meal time – who eats what, with whom, in what room, with what drinks – to paint a tapestry of relationships that are mostly dysfunctional – though watching how they change over the course of the book is one of the subtle joys of the story. They do dishes, cook sometimes, go out into the backyard, lie on the picnic table and stare at the planes passing overhead and send them the love they cannot give to the ones they want to. She is brilliant at creating situations at home that cause her characters to interact. As a writer and reader I watch and marvel at her ability to do this.