Open Wounds

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Three Chicks and a Guy

“Got Teen Fiction?” coming on the 23rd – a joint blog endeavor with three other YA authors (Karen DelleCavaShari Berger Maurer & Selene Bayrack- Castrovilla.). Okay… I’ll tell you the truth, the first name for this joint blog that was put on the table was Three Chicks and a Guy. Okay it might have been three chicks and Joe. In either case, I couldn’t deal with the stress so we went with Got Teen Fiction. Much better.

We all write realistic fiction (so far but who knows?) and all three of my colleagues are terrific writers so if you havne’t checked out their sites take a look to see what they’ve written. Key in any teens (teachers) you know for our contests. Every week we’ll have a short writing contest with the winner(s) getting published on the blog and getting a prize. The first contest will have a good one!

Writing is the subject. Teen fiction is the genre. January 23rd is the launch.

Book mark now: Gotteenfiction.blogspot.com

Brain Droppings of Patanjali

 Sutra 2:Yoga is to still the patterning of consciousness.

I relate a lot of things to the Yoga Sutras. I teach yoga so in some ways that makes sense. It’s also one of the few philosophical texts that I’ve read multiple times. I find it a fascinating exploration of the human mind and the journey within. I also think it has lessons for the real world today – even if it is over 3000 years old in written form and who knows how many in verbal. Because I find writing such a challenging and inward looking activity I can’t help but connect the two. Besides I’m practical. If you can’t take a practice, like yoga, and apply it to the real world then what good is it?

More than 3000 years ago, people were exploring the journey inward toward the Self. You can define the self any way you want to – capital S or small, Goddess, God, core of creativity, cosmic stuff, watcher in the field, observing I, your navel gazing core. It doesn’t matter whether your mystical or material, so long as you journey within.

Yoga is to still the patterning of consciousness. So these guys, went up to caves, sat cross-legged for hours if not days, did not eat, and tried to meditate – or travel inward – mapping as they travelled inside their heads. They had visions – who wouldn’t? They had dreams – you bet. The Yoga Sutras are a map of their adventures – not a map in the traditional way we think of but a series of short sayings that delineated the way complete with noted obstacles, traps, dead ends, and helpful hints. You just have to figure out what it means today as opposed to what it meant 3000 years ago. Oh yeah, and interpret the verse.

Yoga is to still the patterning of consciousness. How does this relate to writing? I’m stretching here. I know. But that’s how I grow. When I find stillness, I write best. I can tap into my creative self and write. I can’t write when my mind is racing in different directions; when I’m worrying about deadlines; when my anxiety is high; when there are distractions – any distractions – from Facebook to Twitter, to my dog asking to go out, to my email, to my physical practice, to my son asking me to help him with his homework, to my wife asking me to take out the garbage – in other words just about any and all of life. How do I deal with these things and sit down and start to write? Every writer has their own technique. Some write in the morning before everyone else awakens. Some go to coffee shops and plug in ear phones to shut out the rest of the world. Some stare at their computer screen or out a window at birds nesting. I think in all these ways we do a similar thing.

We focus.

We withdraw from the world.

We go within.

And we write.

I still the patterning of my consciousness and look within. I follow the map. I search for a well of creativity, find a well – sometimes just a patch of wet earth, sometimes a bucket full and I dive into it.

It has been called “flow” in more modern times. It is a moment in time when you exist as one with what you’re doing. Sometimes it lasts moments and I go back and forth between flow and distraction. I hate that. It’s frustrating and hard to work that way. I don’t get much done. But if I keep at it I get something done. Those are the days the word count increases at a snail’s pace.

Other times I disappear inside and come out half an hour later (my normal morning writing time) and three pages have been written.

The more often we do this as writers – the more often we practice – make writing a practice (something we do every day) – the more we get done. The easier it becomes to follow the map inward. And here’s the thing. Even if the path shifts sometimes, new obstacles arise, old ones disappear or reappear in different forms – the yoga sutra has them all mapped out for us.

At least I think it does.

Yoga is to still the patterning of consciousness.

Got Teen Fiction?

Coming soon at Gotteenfiction, a new site I’ll be part of…

Two week count down for the online opening…

In the mean time I’m back to my book and the click-clack of keys.

Four Letter Words and Vicodin Cocktails

I just finished my first book of 2012. Last Words by George Carlin is in the can.

It was an incredible sortabiography (his own word), telling his memoir through the story of his creative life as a comic. The second half of the book is a tough read. Carlin had a bad cocaine, alcohol, vicodin habit and only really got sober the last five or so years of his life. What especially fascinates me is his writing about his creative process. He wrote things down to capture them and hone them over and over again until they were perfect. He lived most of his life on the road performing and working, writing and capturing, honing and perfecting.

And he came up with some good shit. He was also highly political but only evolved into that over time. And he was one angry, angry man. His rage fueled many of his pieces and large parts of his performances. It provided focus for his fascinations. It provided incredible articulation. I think he had tremendous insight into the human condition and into how storytellers in particular, manipulate their audiences to follow them down into other realities.

Carlin also specialized in the use and etiology of curses. I learned about curses from Carlin. I knew about them before but he demystified them for me. He introduced them to me as full-bodied words and made me laugh at the ridiculous censorship we place on them. He increased my vocabulary ten-fold even if it was mostly in my mind.

I use the word fuck in my book, Open Wounds. I haven’t counted how many times.

When people ask me if the book is okay for their teen I always tell them it’s a 13 and up read or a 15 and up read because of the language and the violence. Most people don’t mind but some do. I think the word fuck is used sparingly in my book, not because I thought it would get me in trouble if I used it too much, but because it was only needed when it was needed by the characters who used it. I remember watching the movie Platoon the second time – with my grandfather – and squirming in my seat at the number of times the word fuck or some derivation of it (fucker, fucked-up, fucking, motherfucker, fuck-wad, etc…) was used. Almost every other word that came out of every character’s mouth included some version of fuck. The first time I saw the film I didn’t notice the language at all. The second time, with my grandfather beside me, I couldn’t hear anything but it.

I also remember reading a book last year by Cynthia Kadohata called Cracker: The Best Dog in Vietnam that, although I enjoyed, found it strange to read a whole novel about soldiers in Vietnam and not read one curse. I wonder if she consciously chose not to use the word fuck. I remember asking myself how not one soldier in her reality could get through a conversation without saying fuck at least once. It felt like a spice was missing from the narrative – some dark mole sauce.

I had one person, a friend, tell me his daughter, who was a teen, put my book down because she found the word fuck in it. Another, an adult, told me she finished it but was really shocked that the book contained such language.

What would George Carlin say to all this? Well, his now famous list of the seven words you can’t say on television no longer has any relevance. Because any and all of them can be and have been said on cable and HBO for over a decade. He stopped doing the bit after his own first HBO special.

One in which he used material that he had captured on paper, honed through practice and rewriting over and over again, and finally… perfected.

Sword Master Bob Anderson

Bob Anderson died yesterday at the age of 89 and with his passing another legend of behind the scenes hollywood sword masters passes with him. He worked with Errol Flynn in Masters of Ballantrae, Antonio Banderas in his Zorro films, Johnny Dep and Orlando Bloom in The Pirates of the Caribbean, all three Lord of the Rings films, and the first three Star Wars films with George Lucas. He choreographed the fights as sword fights before they became, in the later Star Wars films, fights of acrobatic fancy with a little swordplay mixed in-between. Anderson was the real deal, fencing in the Olympics three times, coaching the national team, and from all the gossip you could gather, was a perfectionist that actors loved to work with, a gentleman, and an overall good man who simply fell in love with the sword as a kid. His style of choreography and his wisdom from working in the business so many years will be missed.