Open Wounds

Author Archive

The Kingdom of Ass-holes

Assholes: A Theory

I know. I know. But tell me if you saw a book like this in the bookstore, that you wouldn’t pick it up to at least, you know, look.

I’ve been reading a book called, Ass-holes, A theory, by Aaron James and thoroughly enjoying it. James is a Harvard educated philosophy doc and takes a philosophical approach to looking at assholes and you either go with it or you don’t. I did. It reminded me of an extended, funny Monty Python sketch. He’s not going to tell you how to deal with assholes. He’s just going to examine them and identify them, and try to figure out why they appear in our world in such large numbers.

I can honestly say I have never seen the work asshole used in combination with so many other words so many different ways, all in one place, before. For example there is asshole management, are assholes shaped by enabling cultures,  self-aggrandizing assholes, reckless assholes, delusional assholes, an asshole population, asshole CEOs, assholes within, corporate assholes, royal assholes, royal royal assholes, presidential assholes, asshole bosses, smug assholes, boorish assholes, borderline or half-assed assholes, the supreme court of assholedom, kingdoms of assholes, small assholes, full-sized assholes, individuals who have an inner asshole, moral assholes, have a proliferation of assholes, be a mere asshole, or be a part of asshole capitalism. And that’s just stuff from the first half of the book that caught my eye.

James sets up a hypothesis for what makes up an asshole as opposed to a psycho, tyrant, scumbag, or jerk. He likes to work from the middle of the spectrum of assholedom.

Why am I writing about assholes? It occurred to me while I was contemplating reading Ass-holes, that I should buy the iBook version and read it on my iPad – one less book to carry around while traveling. Then I realized once again – for I go back and forth on this over and over again – that if I continued this pattern I would not longer buy books from independent bookstores – which, if they no longer exist, would be the end of civilization as we know it.

Besides, I bought Ass-holes because I saw it in the window of Kramer Books on Dupont Circle in DC – a great bookstore, coffee shop and diner.  They earned the purchase by their display, their wonderful sales help, allowing me to wander through their aisles for an hour, and their all around awesomeness.

So in a way, if I didn’t buy the hardcover I would have been an asshole without a cover.

It’s my rationalization and I’m sticking to it.


Aside

The Pink Door and Deli-No-More

ImageI was in Seattle two weeks ago for the third time in a year. It’s for my day job but I had the chance to do some book business. I love going to Seattle. It’s a beautiful city that smells of the ocean and clean air. I don’t know if it has clean air or not I just know it smells nicer than NYC which generally smells, well … ripe.

I did my workshop with the courts and my contractor promoting a federally funded blended (face-to-face and online) learning system, then had an afternoon to myself so … I wandered across the street to the Seattle public library with a copy of my book to see if I could donate a copy.

ImageIf you’ve never seen Seattle’s library it’s an awesome structure. I asked for the YA section. It covers most of a whole floor. I asked to speak to a YA librarian (not knowing the technical lingo for such – though librarian is a cool enough job title in my book, er, you know what I mean). Specialist Carol Lo came and saw me and after nicely hearing my pitch and my idea (I’d like to donate a copy of my book) said there was a whole process in bringing in copies of a new book into the library, but would be glad to take the single book I’d brought and make sure it got into the hands of some young people to read. Then she checked to see if they carried it (why did I assume they didn’t?) and indeed they had a copy.

ImageNow they had two.

This made my day. Thank you for being so helpful, Carol Lo. And thank you Seattle Public Library for carrying my book.

I ran up and down the hills by the waterfront and Pike’s Market early in the morning while the fog was still covering the water and a good part of the city. Im not a big runner (I enjoy having run but not running unless I have a rugby ball in my hands and others are chasing me with the intent to tackle) but I find it’s a great way to check interesting parts of a city out. The waterfront is beautiful.

Dinner at The Pink Door with my colleagues and interesting side trip to a male burlesque show (don’t ask, don’t ask) capped the trip and sent me on my return trip home.

ImageI love the 5-6 hour plane ride with nothing to do but read and write and stare out at the clouds.

ImageAnd I love Deli No More (look at the graffiti all over the walls and ceiling) inside the YWCA. Bacon, egg, and cheese breakfast sandwiches rock.

Image


The Dust of Dogs and Human Insight

  I’ve been reading A.S. King and learning how to write. Every one of her books is a meditation on the art and craft of the novel. She is wonderful. I just finished her first book, Dust of 100 Dogs, and her latest, Reality Boy – back to back. I’ve read all of her books inbetween also.

Dust is part pirate tale (female protagonist), part coming of age story, part love story, part dog story, part modern and part historical. How would you take being born aware that you were a pirate and then, because of a curse, forced to the live the lives of 100 dogs, before you were again born into present day remembering each of your previous iterations fully?

The pirate story and the modern story are told in parallel as are a number of dog stories. You know the ending at the beginning but it doesn’t matter because you still don’t know how exactly King will get you there. This is a great technique and very hard to pull off yet she did this with her first novel and in such an engaging way. I was so caught up in the story I kept thinking to myself, maybe it won’t end the way she said. I knew the way the story ended. She’s cursed and lives the lives of 100 dogs. But still… I knew how it ended in general, guessed the specifics, and still felt a lump in my throat when I got to the last page.

reality  Reality Boy is so different and so visceral. You can read the synopsis on Goodreads. I’m not going to give it to you. It’s still too fresh for me. A good book will do that to me. It has to settle. I found tears on my cheeks a few times reading Reality Boy, and not because I felt manipulated but because the authenticity of Gerald’s (the protagonist) situation made me – feel. King is expert at capturing what it’s like to be in late adolescence (17). As an example. Gerald has a developmental insight at one point (he sees the world from someone elses point of view). I know this sounds  mundane, but it’s hard to explain this kind of world view to adults and for me, King really puts us inside Gerald’s head and shows us his realization in such a painful and amazing way. And it is amazing, in a story telling world accustomed to cartloads of over-the-top action, explosions, and gun-play, how powerful a single moment of genuine insight from a character we care about can be.

What will she write about next?

 


Fish Bones and So Long Suckers

I’ve been traveling a lot. Over the last four months I’ve been to Seattle twice, Oklahoma, New Orleans, and DC (where I’m headed now). My day job has been calling and I have had to answer.

I lost 90 pages of my WIP late in the summer – don’t ask how. Okay I’ll tell you. I can’t help myself.

Once, when my son was small, about four years old we had a small fish tank with a few fish in it. One fish disappeared one night. I mean … it disappeared. There had been casualties before (many, many, many casualties) but they always showed up on the surface, belly up. So one little guy, like a master illusionist, one night disappeared. I searched the whole tank, top to bottom, filter to gravel graveyard. I checked the floor for 6 feet in all directions. I looked for bones in hideouts.

I called fish experts.

They scratched their heads.

He was too big to be eaten by the two other fish inside the tank with him. So what happened to him? I don’t know. But sometimes, late at night when I’m just about asleep I swear I can hear him laughing and calling out to me, “So long sucker.”

One night in August I was working on my WIP. I left the document open on the screen, got caught up in watching The Big Bang Theory with my son and wife. I went to bed. In the morning…

So long suckers.

The document was there but 90 pages were gone. I looked everywhere. I looked on my screen, in my dropbox, in my WIP folder, in my other computer, in all my back-up files. I checked the floor for 6 feet in all directions. I looked for bones in hideouts.

Fortunately I had a hard copy. I just had to type it all in again…

I wish I was a faster typist. Mavis Beacon, here I come.

So long suckers.


Macabre Eraser Eating and other Sundries

My son is writing a book – a page a day, he tells me, “If I write a page a day in a year I’ll have written a novel.”

Then a little while later he says, “If I write two pages a day – only two pages a day – I’ll write a novel in… ” I can see him doing the math in his head, “half a year.”

I nod. “It’s cool isn’t it?”

“Yes!”

He shows me his new page(s) every night. He doesn’t usually show me his writing for school so this is a new thing for me. When I’ve ask to see his school work in the past he’s usually said, “No.” I’ve had to search for his stories and essays in his work folders after it’s been handed back to him and placed somewhere in his overstocked and overflowing backpack. Or my wife has had to tell me where it was. She knows. She almost always gets to read his work.

He’s finding real joy in putting his pencil to his page. He sits at the table at night staring out the window with his pencil eraser between his teeth, chewing and thinking. Every once in a while his pencil moves down and across the page leaving text behind. I sit with my back to him at my computer doing my version of the exact same thing with electronic text. I don’t chew on an eraser – though I’m not against it if it helps to think. I usually sip tea.

When he’s finished he wants me to read it, “Right now.”

He stands next to me and places his book in my lap. He points at it. “Now.” He watches while I read it, his hands together in front of him. He cracks his knuckles one after the other rolling from one finger and hand to the next. I laugh out loud when the story is funny. He smiles when I do that.

“Who should I kill off?” he asks, placing his hand on my shoulder.

“Let me finish reading,” I say.

“I’m not going to kill off anyone,” he says. “Maybe just have one of them lose a foot or a hand.”

“Shh,” I say.

“Read it,” he responds.

It reminds me of so many writer’s that I know, including myself. “Tell me what you think?” He asks and I have to tell him now. When I give my work to someone to read I want the same thing, now, only as an adult trying to show that I have impulse control, that I can be patient, that time is of no importance to me – I say instead, “When you get the chance.” Or worse, “There’s no rush.” What that really means is, “Now.” Trust me. it means, “Pick up the manuscript and start reading now. And don’t stop until you’ve finished. Because I want to know what you think – if it’s any good and I want to know now. I’ve been inside my own head for over a year, written 235 pages, and need to know it’s been worth the effort so I can write another 100-200 pages more of my epic – though it’s not really an epic I just think of it that way. And if you make me wait a day or a week or – God help you – a month to get back to me I’ll have to exist in silent scream torture mode as every day I check me email to see if you’ve sent me a note that says, “I’m done.” ”

My son is quiet while I read the rest of the page. He sits on the arm of my work-chair, reading over my shoulder. He asks me, what do I think, with raised eyebrows when I close the book and look up.

Wonderful.